Trailer Ligia Lewis: Water Will (in Melody)
Caner Teker, Untitled (Variations), Ian White – Cinema as a Live Art / Becoming Object was curated by Anne Breimaier and is part of Reflect-Suspend-Dismantle, a year-long program around the work of Ian White, which takes place at various locations in Berlin, and is delivered in collaboration with curator Kirsty Bell, KW Institute for Contemporary Art, DAAD Artists-in-Berlin Program, and the Estate of Ian White.
First minute of B.B. by Ofelia Jarl Ortega together with composer Patrik Patsy Lassbo and dancer Alexandra Tveit.
Maria Hassabi Discusses STAGING (2017)
STANTON TAYLOR on MICHELE RIZZO
Choreographer Michele Rizzo Reveals the Ecstasy and Unredeemed Power of the Nightclub
At Amsterdam’s Stedelijk Museum, Rizzo’s performance ‘Higher.xtn’ unpicks the communal politics of the dance floor
4/4, a siren calls. We wait. Slow-steady, young ravers descend upon the lobby: from the left, then the right, then behind. Clad in second-hand sports brands, well-worn workwear and sundry leatherettes, they serve the leftovers of last night’s looks. Yet their movements are introverted, their gazes downcast. Once onstage, they shuffle about aimlessly as they sync up to Lorenzo Senni’s haunting synths. Casually self-absorbed, they seem oblivious to anyone but themselves. By the time the music shifts gears towards a slower beat, the dancers have settled into rows facing each other and move in perfect unison.
Trisha Brown Dance Company