by Contemporary Cruising |

By Henri Neuendorf for Contemporarycruising.com

Christian Jankowski Guest-Starred on a German Crime Drama and Declared It Art.
The Producers Say, No, It’s Just a TV Show
The artist appropriated the episode for his latest exhibition at Petzel Gallery in New York.

An exhibition at a Chelsea gallery has become a new battleground for an age-old question: Is an artist ever allowed to take another person’s work and re-present it as their own?

The question takes on new meaning in a dispute between the German artist Christian Jankowski and the producers of a German television show, who are displeased that Jankowski has presented an episode he appeared in as his own work in his latest solo show at New York’s Petzel Gallery (on view through August 3).

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by Contemporary Cruising |

Sacred Naked Nature Girls
By Coco Fusco

By the time the Sacred Naked Nature Girls brought their all nude show to Highways in Santa Monica, they were wrapped in wild stories about how, in other locales, irate feminists and horny fellows had joined forces to recast their work as pornography. The gals wanted to censure them—the guys wanted to jack off in front of them as applause. I went to see what all the ruckus was about and witnessed a rare instance of decidedly female energies melded together in a serenely powerful force. New Age neo-primitivists scoot over—here’s another spin on the body and the sacred. Their nudity wasn’t there to shock or offend, it was symbolic of their collective will to break down the barriers of the social and turn emotional vulnerability and personal memory into poetry.

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by Contemporary Cruising |

By Ellen Söderhult on Linda Blomqvist

To listen with all senses

In a piece of writing on listening, the philosopher Jean-Luc Nancy asks what it means for a being to “be immersed entirely in listening, formed by listening or in listening, listening with all his being?” Later he continues: ”What secret is at stake when one truly listens, that is, when one tries to capture or surprise the sonority rather than the message?” […] “What does to be listening, to be all ears, as one would say “to be in the world”, mean? What does it mean to exist according to listening, for it and through it, what part of experience and truth is put into play?” Maybe The Sound by Linda Blomqvist together with Madeleine Lindh and Sandra Lolax could be considered a form of answer to Nancy’s questions. An answer in the sense of a response, an echo or a proposition. Or, it could be considered a different, embodied and materialized way of asking these questions.

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by Contemporary Cruising |

Castor Troy on Michael Koptev

The celebrity, which had already been recognized before the war as one of the main freaks of Luhansk, scandalous fashion and organizator of the sensational “shows of the extreme fashion” of the theatre “Orchid”, Michael Koptev visited Ukrainian capital on October 28.

Having lived for 25 years in Luhansk, I’ve heard a lot about his “fashion shows”, taken place in HC of railroad, seen some photos, but personally I prefered not to visit them. It was not because I didn’t want it, it was curious enough, but consciousness of Luhansk dweller had the associations with “total facepalm” in spite of a little number of prejudices.

A lot of people from Donbass, Crimea and other Ukraine had to build once again the paradigm of life values, once again to divide anger from kindness, reconstruct destiny. So, when I knew that legendary Mike Koptev, stayed to live in occupied by “LPR” Luhansk, is going to visit the capital, I decided that I must go on this event.

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by Contemporary Cruising |

Katherine Chan on MascallDance Society’s new production “OW

“OW”: How does it feel and what does it look like?
Founder and Artistic Director of MascallDance Society, Jennifer Mascall has been an
investigator of movement for over 45 years. A conceptual creative, her choreography
resembles a creator designing a new world. When she manipulates space, the changes
affect the movement of bodies, which then influence sound. While attuned to bodily
movement, the artistic director also works consciously with the space in-between.
Approaching MascallDance’s 30th Anniversary, Mascall continues her investigation of
sound and dance with the new performance “OW”, premiering in July. Her inquisitive
career-long quest bleeds into this latest creation: “OW” anticipates a relentless search and
expansion of possibilities in the many worlds sound and movement could create together,
with each element examined in the choreography.

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by Contemporary Cruising |

Joy Harris for Contemporarycruising.com
performance art VS performing arts

Performance art, as formalized by artists in New York City in the 1970’s, largely explored how the body, normally used as an instrument in canvas painting and sculpture, could be seen as a material, an instrument, and a work of art in and of itself. Its differences between the performing arts were subtle in many ways, especially when seen alongside choreographers and musicians who were working in NYC at the same time.

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by Contemporary Cruising |

Helen Shaw On Performa 17, NEW YORK

As long as I’ve been going to Performa, I’ve been grumbling about Performa. The framing is usually impossibly broad, the quantity of work overwhelming, and the caliber so varied that the bad stuff can sometimes argue against the excitement of live performance. Yet the biennial is a major, influential event, and—in our Instagram-ready, market-oriented art environment—its shambolic quality can also be refreshing.

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